<span class=normal> Tum Milo Toh Sahi<BR><BR><br><p class=clear>&nbsp;</p>A love story spanning across people from 3 different generations could have made for an interesting premise. However, director Kabir Sadanands take on love and relationships was far from it. Out of the three tracks, only the track involving Nana Patekar and Dimple Kapadia had some substance. As for the other two, the less said the better. In the end, the film seemed more like a Save-the-depleting-Irani hotel / café campaign than a love story. </span>