<span class=normal>Yes folks! its raining debutants indeed with a tremendous surge of new-age Bollywood films hitting theatres, it seems like the reputed candy-floss cinema is set to take a back seat with small budgeted films like Shor In The City, Ragini MMS and the latest entrant Shaitan overshadowing their peppier itemized counterparts. Anurag, who hails from the younger cult of filmmakers far more superior than the older seasoned class, believes that Bollywood and Indian cinema is the midst of a cinematic revolution. Bejoy Nambiar, Anurags latest find, has silenced critics and skeptics alike with his menacing Shaitan, proving you do not need a star cast to drive a good film home. The film revolves around youngsters treading the fickle line that takes over their senses without reasoning. Raking in an amazing Rs. 5.33 crores in its first week of release, the film is being lauded for its eccentric shots and wayward storyline. Bollywood Hungama gets Bejoy to talk about, the derivations of the film, the workflow, the thought process and the paranoia and the challenges in making Shaitan. </span>