The inside story<BR><BR><br><p class=clear>&nbsp;</p>Research and detailing are a part of every film, especially if the film is set in a particular era. Sudhir Mishra talks about the minute details that went into the making of the film along with interesting facts about the film. <br><br><br><p class=clear>&nbsp;</p>Rare artifacts<BR><br><p class=clear>&nbsp;</p>“I met Daboo Kapoor (Rajiv Kapoor, Raj Kapoor’ son) who gave us access to a lot of photographs. The Kapoors are very warm and genuine people. They love movies and also the people who make films about movies. There are many of my friends who have been around and whose parents have been in the films during the 60’s. They all gave us access to personal photographs. We also met a whole lot of people of that time, some not so famous like assistant directors, writers, cameraman, producers, spot boys, etc.” <br><br><br><p class=clear>&nbsp;</p>The location<BR><br><p class=clear>&nbsp;</p>A major part of the film is shot in Goa. But Goa as the location for a period film? doesn’t that surprise? “Goa has some houses that were so spectacular that you feel like shooting in them. There was this house in particular that we went to, which in the film represents the house of a yesteryear actress who is married to a rich man of that time. This man becomes like a godfather to the character played by Soha Ali Khan. That’s where Shiney and Soha’s character secretly meet. Those days you couldn’t meet in public places. That house was so spectacular that we went and shot in Goa. You try as much as you like but that particular house is a very expensive house and you can’t replicate it because every artifact, furniture is something you cannot duplicate.”<br><p class=clear>&nbsp;</p>
